The young R&B singer Jeremih sang a delicate version of “Birthday Sex.” And Red Café emerged to perform a handful of his collaborations with Fabolous. did not join him onstage, but Fabolous did bring out a couple of artists he’s lately assisted, or overshadowed, with guest verses. Later, when Fabolous performed his remix verse of “Swag Surfin’ ” during his set (“They said he wiped out his old chick and got a badder broad/ Heard that when she riding you would think she had a board”), F.L.Y. “Swag Surfin’ ” is F.L.Y.’s hit, and when the group performed it, the three did the song’s steps, with Myko McFly bending lower and undulating harder. Lenox” in particular was received with crickets, maybe because the name refers to a mall in Atlanta and the musicality of Nappy Roots. The group’s debut album “Jamboree,” (Def Jam) is a compelling blend of contemporary Southern boasting the song “Mr. was lost on this crowd, which is a shame. The latest in a series of Southern M.C.’s as interested in dance steps as raps, maybe more, F.L.Y. (Fast Life Yungstaz) Mook, Myko McFly and Vee the wide-eyed Atlanta trio that performed before Fabolous. That air of darkness was a rebuke to F.L.Y. 1», «From Nothin To Somethin», «Hip Hop Love Songs», «20 1s: Modern Hip-Hop» «Def Jam 25: Volume 3 - It Takes Two PT 1». Fabolous himself is always calm, but his hypeman Paul Cain huffed and puffed, and a pair of bodyguards coldly stared down the crowd for the duration of his set. Fabolous Make Me Better «Make Me Better» «Def Jam 25, Vol. How can his remix version of The-Dream’s “Rockin’ That Thing” be so clever while “Throw It in the Bag,” their collaboration from Fabolous’s forthcoming album “Loso’s Way” (Def Jam), be so dim?įabolous was playing with a live band as part of a series sponsored by the hip-hop radio station Power 105.1, and it was an asset, particularly on songs like “Make Me Better,” “Breathe” and “Keepin’ It Gangster,” on which the guitar added a texture of rage. Still, for all his skill, Fabolous can also be spotty. And while he’s an astonishingly technical rapper, he’s never stiff, as good at chest puffing as at seduction. Fabolous is never better than when dropping a verse on someone else’s song, as if the freedom from ownership is liberating. Words mean a lot to Fabolous, the Brooklyn rapper who even after four albums and several hits still thrives at the margins, a cult figure operating in plain view. Felt like back in the BMF days, Free Big Meech!!”īut nary a peep after his performance until a blasé post on Thursday morning. The night before, it was strip clubs in Atlanta and memories of flusher times: “Flooded Onyx, then went 2 Club Miami. Two days before the show he fessed up to a Nickelodeon habit: “Take a Backyardigan melody, Tpain it! Thats a hit!!” He is the most engaging rapper on Twitter (/myfabolouslife), unafraid of detailing even his most mundane thoughts and activities: griping about someone stealing his Louis Vuitton flip-flops at a pool party, taking a family trip to Medieval Times and likening the jousts to gang wars. ![]() King Blues Club & Grill was the lack of Twitter updates. The greatest disappointment of Fabolous’s show on Wednesday night at B.
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